A Midsummer Night’s Dream | Barbican (2024)

Royal Shakespeare Company

,Theatre

A Midsummer Night’s Dream | Barbican (1)

Experience a ‘ravishing fusion of flamboyancy and fun’ (Guardian) as this smash-hit sell-out production transfers to London to brighten up your winter.

With Mathew Baynton (Ghosts, Horrible Histories) as Bottom, this hilarious production of Shakespeare’s captivating comedy will transport you from deepest midwinter to the most magical of midsummer nights. As four young lovers are faced with the prospect of unhappy marriage or worse, they flee the court of Athens and stumble into an enchanted forest, where the real and fairy worlds collide.

Director Eleanor Rhode returns to the Royal Shakespeare Company with a ‘joyous’ (Times) Dream that is magical, mischievous and full of wonder.

Tagged with: RSC 2024-25 Season RSC 2024-25 Season More...

Running time: approx 2 hrs 30 mins (including 20 min interval)

This production includescreative audio description, which is performed live and in character by the cast, at every performance from press night. Audiences can access audio description and an additional soundscape through headsets.

For more information about the themes and content of this play see ourcontent advisory page.

Audio description
This production features creative audio description on all performances from Wed 11 Dec onwards.

Touch tours
Sat 21 Dec (11.30am-12 midday), Sat 28 Dec (11.30am-12midday), Sat 4 Jan (11.30am-12 midday), Sat 11 Jan (11.30am-12 midday) and Fri 17 Jan (5.15pm-5.45pm).

Captioned performances
Sat 21 Dec, 1.30pm
Sat 18 Jan, 1.30pm

Relaxed performance
Sat 11 Jan, 1.30pm

Creatives

Eleanor Rhode Director

Lucy Osborne Set & Costume Designer

John Bulleid Illusion Director and Designer

Matt Daw Lighting Designer

Will Gregory Composer

Pete Malkin Sound Designer

Annie-Lunnette Deakin-Foster Movement Director

Rachel Bown-Williams and Ruth Cooper-Brown Fights and Intimacy

Matthew Dewsbury CDG Casting Director

Benjamin Wilson Audio Description Director

Reuben Cohen, Oli Quintrell and Jon Ryan Video Design

Bruce O'Neil Music Director

Kate Godfrey Voice and Text

Nina Dunn Video Design Consultant

Anisha Fields Associate Designer

Alex Lee Music Associate

Sarah Stacey Assistant Director

Flora Wilson Brown Dramaturg

Cast

Mathew Baynton Bottom

Show more

Wheelchair spaces, free companion seats may now be booked online.
Please select the relevant preferences on the access registration page during your booking so we can provide you with the correct information and discounts.

Booking a wheelchair space:
Select a seat displaying the wheelchair user icon and then select wheelchair user ticket type. The ticket will be priced at the lowest price for that event. If you need an essential companion, please select the E icon next to the wheelchair space you have selected.

Booking essential companion tickets:
Please select at least two tickets and one of them will be automatically discounted to zero in the basket.

Booking British Sign Language or Captioned Seats:
Select seats in the area appropriate to your needs.

Join our access scheme.

Family rate
Up to two half price tickets with every full price paying adult. Valid on all performances except Saturday evenings and dates between 23 Dec and 4 Jan. Subject to availability.

Groups of 10+
£49.50 each for Monday–Thursday performances (excluding the top two price bands), except for dates between 23 Dec and 4 Jan. Subject to availability.

UK Schools, Colleges and Universities
£25 tickets on Monday–Thursday performances (excluding the top three price bands), except for dates between 23 Dec and 4 Jan. Subject to availability.

RSC £10 tickets for 14-25 year olds supported by TikTok
A limited number of £10 tickets are available per performance for anyone aged between 14-25 years old. Register atrsc.org.uk/tiktokticketsto access tickets.

*Excludes £4 booking fee

These accessibility provisions are available for this event. Please visit our help centre for extra guidance when booking these tickets.

Audio described

Captioned

Relaxed

Booking fees

£4 booking fee per online/phone transaction.

No fee when tickets are booked in person.

Booking fees are per transaction and not per ticket. If your booking contains several events the highest booking fee will apply. The booking fee may be reduced on certain events. Members do not pay booking fees.

Reviews

‘ A ravishing fusion of flamboyancy, surrealism and raucous fun‘

‘There were times I found myself struggling to breathe through laughter ‘

‘Mathew Baynton, of Horrible Histories and Ghosts fame, is fantastic in the role of Bottom. A joy from start to finish.‘

‘Joyous entertainment delivered by a crack ensemble‘

Accessibility

Audio description
This production features creative audio description in every performance from Thu 12 Dec.

Touch tours
Sat 21 Dec,11.30am-12 midday
Sat 28 Dec, 11.30am-12midday
Sat 4 Jan, 11.30am-12 midday
Sat 11 Jan, 11.30am-12 midday
Fri 17 Jan, 5.15pm-5.45pm

Captioned performances
Sat 21 Dec, 1.30pm
Sat 18 Jan, 1.30pm

Relaxed performance
Sat 11 Jan, 1.30pm

Find out more aboutAccessible Eventsat the Barbican.

Theatre

Location
The Barbican Theatre is located within the main Barbican building. Head to Level G and follow the signs to find your seating level.

Address
Barbican Centre
Silk Street, London
EC2Y 8DS

Public transport
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.

We’ve plenty of places for you to relax and replenish, from coffee and cake to wood-fired pizzas and full pre-theatre menus

Barbican Brasserie
Martini Bar
Foyer bars and cafe
Barbican Kitchen

Mobility
Spaces for wheelchair users in the rear of the Stalls (four) and row B of the upper circle (four), both with companion seats. Row B is reached via a platform lift, and staff will be happy to help you. Seats in the back row of the Stalls are suitable for people with limited mobility.

Assistance dogs
Assistance dogsmay be taken into the theatre – please tell us when booking, to ensure your seat has enough space. If you prefer, you may leave your dog with a member of the cloakroom staff during the performance.

Sign language
For our occasional BSL-signed performances. Stalls seats close to the signer are reserved for people with hearing impairments. Please book early and ask for these seats.

Captioned performances
These display the full text of the play on a screen as the actors speak the words. Seats with the best view of the screen are reserved for people with hearing impairments, so please book early and ask for these seats.

Audio-described performancesand amplified sound
Headsets are available from the sales kiosk outside the Stalls Right entrance to the theatre

For more access information, please visit ourAccessibilitysection.

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FAQs

What is the famous line from Midsummer Night Dream? ›

I had a dream, past the wit of man to say what dream it was… The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.

What is the main message of a midsummer night's dream? ›

Love looks not with the eyes, but with the mind, Therefore is winged cupid painted blind. Love in its many forms is the most important theme in A Midsummer Night's Dream. The romantic encounters and subsequent confusions are the greatest cause of conflict in the play.

What is the deeper meaning of A Midsummer Night's Dream? ›

A Midsummer Night's Dream is a play about love. It proposes that love is a dream, or perhaps a vision; that it is absurd, irrational, a delusion, or, perhaps, on the other hand, a transfiguration; that it is doomed to be momentary (“So quick bright things come to confusion” [1.1.

What is an essential question for a midsummer night's dream? ›

Essential Questions for A Midsummer Night's Dream

Would you go against your family to follow your heart?

What was Puck's famous line? ›

Sometime a horse I'll be, sometime a hound, A hog, a headless bear, sometime a fire, And neigh, and bark, and grunt, and roar, and burn, Like horse, hound, hog, bear, fire, at every turn.

What is the paradox in Midsummer Night's Dream? ›

Paradoxes in A Midsummer Night's Dream

The play which Theseus introduces blends the violent with the silly. The play put on is Pyramus and Thisbe, in which both title characters tragically die. However, this serious story becomes paradoxically comical when performed by this ramshackle troupe of actors.

What is the moral lesson of a midsummer night dream? ›

Moral of the Midsummer Night's Dream's Story

One thing learned from A Midsummer Night's Dream is that loving someone should be based on their personality rather than their appearance. You will have a lot of arguments if you do not do this.

What is a short summary of Midsummer Night Dream? ›

Plot Summary

A Midsummer Night's Dream is the story of the events surrounding the marriage of Theseus, king of Athens, and Hippolyta, queen of the Amazons. It follows the lovers Hermia and Lysander as they attempt to elope but are dogged by Demetrius, in love with Hermia, and Helena, in love with Demetrius.

What is the main issue in Midsummer Night's Dream? ›

In A Midsummer Night's Dream, Shakespeare explores the problems and conflicts that can be caused by love. Helena and Demetrius suffer from unrequited. love at the start of the play. Helena is in love with Demetrius, but he doesn't love her back.

Why is A Midsummer Night's Dream so famous? ›

As one of Shakespeare's most popular and beloved comedies, A Midsummer Night's Dream is filled with rich elements from folklore, literature, nature, mythology, and the supernatural. It tells of the whims, desires, and impulses of love, both mortal and fantastical.

What happens to Bottom at the end of a midsummer night's dream? ›

Oberon sees Demetrius and Helena arguing and decides to help her by using the potion on Demetrius. Unfortunately, Puck mistakenly gives it to Lysander who then falls in love with Helena. Puck uses magic to turn Bottom's head into a Donkey head, while he is rehearsing in the forest.

What is ironic about A Midsummer Night's Dream? ›

An ongoing example of dramatic irony is the fairies making people fall in and out of love. The characters wake up feeling disoriented and believing what they experienced was a dream, though the reader knows the truth.

What is the major theme of A Midsummer Night's Dream? ›

There are many themes in A Midsummer Night's Dream. Explore the main themes of love, appearance and reality, and order and disorder - looking at how they affect characters and influence the story.

Why does Oberon want the changeling? ›

Oberon wants Titania's changeling child to serve him in his court instead of hers. He also wants to satisfy his own jealousy, as Titania and Oberon have accused each other of romantic dalliances with mortals: Titania with Theseus and Oberon with Hippolyta.

Why does Titania want the boy? ›

According to the Queen of the Fairies, her good friend died in childbirth and Titania has agreed to raise the boy out of love for his mother.

What is a famous quote from A Midsummer Night's Dream Demetrius? ›

Demetrius
  • I love thee not, therefore pursue me not.
  • Where is Lysander and fair Hermia?
  • The one I'll slay, the other slayeth me.
  • Thou told'st me they were stol'n unto this wood,
  • And here am I, and wood within this wood.
  • Because I cannot meet my Hermia.
  • Hence, get thee gone, and follow me no more.

What is a famous quote from A Midsummer Night's Dream Titania? ›

  • Titania > Oberon. Quote 1. TITANIA. My Oberon, what visions have I seen! Methought I was enamoured of an ass. ...
  • Titania. Quote 2. TITANIA. I pray thee, gentle mortal, sing again. Mine ear is much enamoured of thy note, ...
  • Titania. Quote 3. TITANIA. Out of this wood do not desire to go. Thou shalt remain here whether thou wilt or no.

What is the quote of true love in Midsummer Night's Dream? ›

The course of true love never did run smooth; But, either it was different in blood, O cross! too high to be enthrall'd to low.

What are the first lines of Midsummer Night's Dream? ›

Swift as a shadow, short as any dream, Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and Earth, And, ere a man hath power to say “Behold!”

References

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